1 Introduction | 8 |
1.1 Document Overview | |
1.2 Document Structure | |
2 Background | 11 |
2.1 The Lund Principles | |
2.2 The Minerva Project | |
3 Practical Guidelines | 12 |
3.1 Introduction | 14 |
3.2 Digitisation Project Planning | 14 |
The Reasons for the Project | 16 |
Human Resources | 17 |
Research | 18 |
Risks | 19 |
3.3 Selecting Source Material for Digitisation | 20 |
Establish Selection Criteria | 21 |
Selection against the Criteria | 22 |
3.4 Preparation for Digitisation | 23 |
Hardware | 24 |
Software | 27 |
Environment | 29 |
3.5 Handling of Originals | 30 |
Moving and Manipulating Original Material | 31 |
3.6 The Digitisation Process | 32 |
Using Scanners | 33 |
Using Digital Cameras | 35 |
Software Applications for Optical Character Recognition (OCR) | 36 |
3.7 Preservation of Digital Master Material | 37 |
File Formats | 38 |
Media Choices | 39 |
Migration Strategies | 40 |
3.8 Meta-data | 41 |
The Scope of Meta-data Used for Object Description | 42 |
Appropriate Meta-data Standards | 43 |
3.9 Publication | 44 |
Image Processing | 45 |
3D and Virtual Reality Issues | 47 |
Online Publication | 48 |
3.10 IPR and Copyright | 49 |
Establishing Copyright | 50 |
Safeguarding Copyright | 51 |
3.11 Managing Digitisation Projects | 52 |
Digitisation Process Management | 53 |
Team Development | 55 |
Staff Training | 56 |
Working with Third Parties for Technical Assistance | 57 |
Working with Third Parties in Cooperative Projects and Content Sharing | 58 |
Costs | 59 |